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Notes

I rushed through the first three books, trying to make a dent, and then slogged through the fourth book, hoping the end would come soon. By about halfway through the fifth book, I wanted to go back and reread from the beginning (and pay more attention the second time through).

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THE POSTHUMOUS MASTERWORK FROM ONE OF THE GREATEST AND MOST INFLUENTIAL MODERN WRITERS (JAMES WOOD, THE NEW YORK TIMES BOOK REVIEW) Composed in the last years of Roberto Bolaños life, 2666 was greeted across Europe and Latin America as his highest achievement, surpassing even his previous work in its strangeness, beauty, and scope. Its throng of unforgettable characters includes academics and convicts, an American sportswriter, an elusive German novelist, and a teenage student and her widowed, mentally unstable father. Their lives intersect in the urban sprawl of SantaTeresaa fictional Juárezon the U.S.-Mexico border, where hundreds of young factory workers, in the novel as in life, have disappeared.

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