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Notes

I saw the movie today and immediately raced to the bookstore afterwards to buy the play. I thoroughly enjoyed the movie and believe it deserves all the awards it's gotten thus far, but the play is much better. The parallels are uncanny and both are so good--but I guess if you write the play and screenplay and direct the movie, then that happens. In any case, it's a quick read and definitely a good supplement to the movie. I give this a 5/5. Sidenote: I think he did it.

"There are people who go after your humanity, Sister James, who tell you the light in your heart is a weakness. That your soft feelings betray you. I don't believe that. It's an old tactic of cruel people to kill kindness in the name of virtue. Don't believe it. There's nothing wrong with love." (Flynn to Sister James, p. 41)

". . . His resignation was his confession. He was what I thought he was. And he's gone."

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Now a major motion picture! Starring Meryl Streep, Philip Seymour Hoffman, and Amy Adams. Written and directed by John Patrick Shanley from his Pulitzer Prize–winning play. “The best new play of the season. That rarity of rarities, an issue-driven play that is unpreachy, thought-provoking, and so full of high drama that the audience with which I saw it gasped out loud a half-dozen times at its startling twists and turns. Mr. Shanley deserves the highest possible praise: he doesn’t try to talk you into doing anything but thinking-hard-about the gnarly complexity of human behavior.”—Terry Teachout, The Wall Street Journal “A breathtaking work of immense proportion. Positively brilliant.”—Melissa Rose Bernardo, Entertainment Weekly “#1 show of the year. How splendid it feels to be trusted with such passionate, exquisite ambiguity unlike anything we have seen from this prolific playwright so far. In just ninety fast-moving minutes, Shanley creates four blazingly individual people. Doubt is a lean, potent drama . . . passionate, exquisite, important and engrossing.”—Linda Winer, Newsday John Patrick Shanley is the author of numerous plays, including Danny in the Deep Blue Sea, Dirty Story, Four Dogs and a Bone, Psychopathia, Sexualis, Sailor’s Song, Savage in Limbo, and Where’s My Money? He has written extensively for TV and film, and his credits include the teleplay for Live from Baghdad and screenplays for Congo; Alive; Five Corners; Joe Versus the Volcano, which he also directed; and Moonstruck, for which he won an Academy Award for best original screenplay.

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